Project in Computer

HO2

2nd Quartely Exam

📷📷DIGITAL PHOTOGRAPHY📷📷

What is Digital Photography based on my own explanation?📷📹

is a form of photography that uses cameras containing arrays of electronic photodetectors to capture images focused by a lens, as opposed to an exposure on photographic film. The captured images are digitized and stored as a computer file ready for further digital processing, viewing, digital publishing or printing.

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Nikon is known for manufacturing some of the world’s first SLR cameras. Like many technology and manufacturing majors, Nikon too is a Japanese company. Often the competition is between Nikon and Canon when it comes to deciding on a digital camera perfect for the professional. 📷📹

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I choose this kind of camera because this kind of camera is so easy to use because this camera is automatic than any cameras.Why I choose Nikon than any other cameras? because Nikon is easy to use because Nikon has auto focus and auto flash. Nikon is  one of my dream camera because some people said Nikon is very beautiful to use and very easy to use. Try to use this and your captured pictures are so beautiful 

Compositon

Rules of Composition

Rule of 3rd

The rule of thirds is applied by aligning a subject with the guide lines and their intersection points, placing the horizon on the top or bottom line, or allowing linear features in the image to flow from section to section.

Rule of ODD

The Rule of Odds states that framing your subject with 2 surrounding objects (thus creating an oddnumber of 3) suggests balance and harmony visually. ... Remember though that odd numbers really just refer to the number 3.

Rule of SPACE

The Rule of Space is simply a technique that creates a sense of motion, activity or conclusion in your composition. It simply involves creating negative space that relates to your subject.

Rule of VIEWPOINT

Picture Scenery

PORTRAIT PICTURE

LANDSCAPE PICTURE

NIGHT SCENE PICTURE

SPORTS/ACTION PICTURE

MACRO PICTURE

SHUTTER PRIORITY PICTURE

APERTURE PRIORITY PICTURE

4th entry blog "MOVIE REVIEW"

Rating	Movie	Review	Critic
	Indian Horse	"Important but not very nuanced." Posted Sep 18, 2017 3:09 AM UTC	Boyd van Hoeij  Hollywood Reporter
3/5	First They Killed My Father	"A film on its toes - nimble, vivid and lyrical, with its guard down and its blood up." Posted Sep 18, 2017 3:09 AM UTC	Robbie Collin  Daily Telegraph (UK)
	Battle of the Sexes	"The steady procession of setups and payoffs can feel suspiciously pat. Yet the new movie holds more surprises." Posted Sep 18, 2017 3:09 AM UTC	Anthony Lane  New Yorker
	mother!	"If you gave an extremely bright fifteen-year-old a bag of unfamiliar herbs to smoke, and forty million dollars or so to play with, "Mother!" would be the result." Posted Sep 18, 2017 3:09 AM UTC	Anthony Lane  New Yorker
	Hissein Habré, a Chadian Tragedy	"[An] intimate, experiential, and impassioned documentary." Posted Sep 18, 2017 3:09 AM UTC	Richard Brody  New Yorker
B	Quick Change	"A funny, quirky and engaging very NYC dark comedy." Posted Sep 18, 2017 3:09 AM UTC	Dennis Schwartz  Ozus' World Movie Reviews
	First They Killed My Father	"The Khmer Rouge's repressions and exactions are depicted fearsomely, but many of Jolie's images are postcard-pretty, and their emotional range depends mainly upon the child actors' tremulous and steadfast expressions." Posted Sep 18, 2017 3:09 AM UTC	Richard Brody  New Yorker
	The Firemen's Ball	"In 1967, the year before Soviet tanks rampaged through Czechoslovakia, the Czech director Milos Forman subtly, scathingly used the premise of a quaint provincial party to mock the Party." Posted Sep 18, 2017 3:09 AM UTC	Richard Brody  New Yorker
	Cockfighter	"Hellman embraces, with visual nuance, a world of back roads and forests, grim motels and ramshackle arenas, and he approaches the intricacies of the subculture ... with a cool Hemingwayesque moralism." Posted Sep 18, 2017 3:09 AM UTC	Richard Brody  New Yorker
	Brad's Status	"The story is told from Brad's point of view, and the movie is filled with his voice-over musings, fantasy sequences, and flashbacks, but it remains oddly impersonal." Posted Sep 18, 2017 3:09 AM UTC	Richard Brody  New Yorker
	Kill, Baby, Kill (Operazione paura) (Curse of the Living Dead) (Don't Walk in the Park)	"a story of collective guilt & implacable vindictiveness, as the past keeps returning to prey vampirically on the present - but also a story that travels through darkness to the dawn, ushering in a new epoch, exorcised of all diabolical vestiges." Posted Sep 18, 2017 3:09 AM UTC	Anton Bitel  Little White Lies
2.5/5	Kuso	"Loud, objectionable, occasionally funny but mostly trying, the visual experimentation and adherence to all things ugly quickly grows tiresome." Posted Sep 18, 2017 2:09 AM UTC	Simon Foster  Screen-Space
	Mountain	"Sublime, cerebral, poetic and musically evocative, Mountain takes us - it seems - to every mountain in the world in what appears to be a floating armchair, sometimes high above the peaks." Posted Sep 17, 2017 11:09 PM UTC	Andrew L. Urban  Urban Cinefile
	Mountain	"The combination of the visual spectacle of the world's highest peaks and the musical magic of the Australian Chamber Orchestra makes Jennifer Peedom's documentary Mountain an immersive, meditative and mesmerising experience." Posted Sep 17, 2017 11:09 PM UTC	Louise Keller  Urban Cinefile
	Death in the Terminal	"Directors Tali Shemesh and Asaf Sudry immerse viewers in a situation that's both horrifying and harrowing - and revealing about human nature in times of extreme crisis." Posted Sep 17, 2017 11:09 PM UTC	Sarah Ward  Concrete Playground
	The Endless	"Imaginative, enthralling, astute with its aesthetics and atmosphere, and insightful in contemplating both human and supernatural drama." Posted Sep 17, 2017 11:09 PM UTC	Sarah Ward  Concrete Playground
	Rat Film	"Plenty of other animals have clucked, purred, barked, splashed and scurried their way through cute critter-focused documentaries, but not in this fashion. " Posted Sep 17, 2017 11:09 PM UTC	Sarah Ward  Concrete Playground
	Faces Places (Visages, villages)	"Love, life, creativity, connection, accepting others and acknowledging that nothing is permanent are all a part of this charming documentary." Posted Sep 17, 2017 11:09 PM UTC	Sarah Ward  Concrete Playground
	Bright Sunshine In (Un beau soleil intérieur)	"A smart, spirited and soulful exploration of affection and intimacy - as driven by Binoche's enigmatic candour - that cuts deep." Posted Sep 17, 2017 11:09 PM UTC	Sarah Ward  Concrete Playground
	Loveless (Nelyubov)	"There's no one like Zvyagintsev at taking an already tense and heartbreaking situation into formally composed, emotionally brutal, absolutely astonishing territory." Posted Sep 17, 2017 11:09 PM UTC	Sarah Ward  Concrete Playground
	Lucky	"The landscape of Stanton's face pairs perfectly with the arid dessert surroundings, while his specific brand of cantankerous charm finds its match in Lynch." Posted Sep 17, 2017 11:09 PM UTC	Sarah Ward  Concrete Playground
	Nocturama	"Mesmerising and provocative... with a simply stunning command of his visceral visuals and unnerving mood." Posted Sep 17, 2017 11:09 PM UTC	Sarah Ward  Concrete Playground
	Bunch of Kunst	"A probing, potent and propulsive celebration for the already acquainted and a lure for the uninitiated." Posted Sep 17, 2017 11:09 PM UTC	Sarah Ward  Goethe-Institute Australien Magazine
	American Assassin	"Happy to go through the motions... much of its content is ripped from other, better efforts." Posted Sep 17, 2017 11:09 PM UTC	Sarah Ward  ArtsHub
3.5/5	Split	"The pleasures of Split are ultimately just those of an enormously satisfying B-movie, and God bless it." Posted Sep 17, 2017 10:09 PM UTC	Tim Brayton  Alternate Ending

3rd Entry blog "EVALUATING WEBSITES"

EVALUATING WEBSITES

6 Criteria for Websites These six criteria deal with the content of Web sites rather than the graphics or site design. Apply these criteria when you research on the internet. 

1. AUTHORITY Authority reveals that the person, institution or agency responsible for a site has the qualifications and knowledge to do so. 

Evaluating a web site for authority:
  Authorship: It should be clear who developed the site.
  Contact information should be clearly provided: e-mail address, snail mail address, phone number, and fax number.
 Credentials: the author should state qualifications, credentials, or personal background that gives them authority to present information.
 Check to see if the site supported by an organization or a commercial body

2. PURPOSE The purpose of the information presented in the site should be clear. Some sites are meant to inform, persuade, state an opinion, entertain, or parody something or someone. 

Evaluating a web site for purpose:
  Does the content support the purpose of the site?
  Is the information geared to a specific audience (students, scholars, general reader)?
  Is the site organized and focused?
  Are the outside links appropriate for the site?
  Does the site evaluate the links?
  Check the domain of the site. The URL may indicate its purpose.
 

3. COVERAGE It is difficult to assess the extent of coverage since depth in a site, through the use of links, can be infinite. One author may claim comprehensive coverage of a topic while another may cover just one aspect of a topic. 

Evaluating a web site for coverage:
  Does the site claim to be selective or comprehensive?
  Are the topics explored in depth?
  Compare the value of the site’s information compared to other similar sites.
  Do the links go to outside sites rather than its own?
  Does the site provide information with no relevant outside links?
 

4. CURRENCY Currency of the site refers to: 1) how current the information presented is, and 2) how often the site is updated or maintained. It is important to know when a site was created, when it was last updated, and if all of the links are current.

 Evaluating a web site for currency involves finding the date information was:
  first written
  placed on the web
  last revised Then ask if:
  Links are up-to-date
  Links provided should be reliable. Dead links or references to sites that have moved are not useful.
  Information provided so trend related that its usefulness is limited to a certain time period?
  the site been under construction for some time?
 

5. OBJECTIVITY Objectivity of the site should be clear. Beware of sites that contain bias or do not admit its bias freely.

 Objective sites present information with a minimum of bias. Evaluating a web site for objectivity:
  Is the information presented with a particular bias?
  Does the information try to sway the audience
  Does site advertising conflict with the content?
  Is the site trying to explain, inform, persuade, or sell something?
 

6. ACCURACY There are few standards to verify the accuracy of information on the web. It is the responsibility of the reader to assess the information presented. 

Evaluating a web site for accuracy:
  Reliability: Is the author affiliated with a known, respectable institution?
  References: do statistics and other factual information receive proper references as to their origin?  

  Does the reading you have already done on the subject make the information seem accurate?

  Is the information comparable to other sites on the same topic?
  Does the text follow basic rules of grammar, spelling and composition?
  Is a bibliography or reference list included?